The fact that renoise lets you add groove to your drums if you want is an extra bonus. I guess if I am already somewhat comfortable programming hex, I should be fine. Is it similar in terms of the basics? I love how Sunvox just puts the sample across the keys in every pitch for example. The sampler in renoise seems so much more powerful. I never knew exactly what the peaks were.Īlso sampling in sunvox was a bit clunky.

For example, seeing the true level of my tracks was always a bit tricky. The more I think about the routing…as cool as it is there are a few things that were always tricky in Sunvox. Would you recommend ACE as a good fit with the other 2? I want to keep my synths capped at 3so I can just get to work…lol. I find myself using samples more and more.Īs for VSTs…I own Massive and FM8 as well. It’s really handy to have for long audio tracks. I think that’s one of its strengths over traditional trackers or something like sunvox - you can apply the super-detailed-OCD programming mentality of trackers to VSTs with incrediblly deep sound engines like Zebra or ACE.Īs a side note, make sure you check out the autoseek function if you deal with acapellas. This is one of the things from sunvox I miss a lot.ĭespite these limitations, renoise is really great, especially if you’re willing to branch out and take advantage of VSTs. The closest solution may be to use plogue bidule alongside renoise. You’ll have to make to do with bussing using “groups” and sends console mixer style. The modular routing is going to be completely absent sorry. Artists like Hunz seem to be able to do some amazing productions using all native effects. The sound quality isn’t anything to write home about (the bus compressor isn’t going to compete with the glue, nor are the distortions and amp simulators going to hold up against amplitube or trash), but they’re functional and fairly comprehensive.

While native “generators” are lacking, the native effects are useful. There are a few renoise tools which do some basic synthesis, but to be honest, these are useful hacks rather than cutting edge solutions. You can do some basic wavetable style synthesis by drawing waveforms (I often do this in sunvox as well). This is a weakness of renoise - Most people prepare sample kits. IMO this is a much better solution than delay effects for recording “live” parts, and getting down and dirty with micro-timing. The ppq will depend on the number of lines per beat (LPB). This is typically done using the delay column rather than note delay effects, which goes from 0-FF, so there are 256 possible placements per line.

Sunvox tempo